EIN
PREUßISCHES MÄRCHEN
(A Prussian Fairy Tale)- Auguste
Fadenkreutz
“Astrid Marie Lazar as Auguste was in first-class condition -
her comic talent is joined by a transparent lyric soprano voice that
carries easily, with clear intonation”.
NORDBAYRISCHER KURIER; Bayreuth, Alexander Dick
“Astrid Marie Lazar impresses with the masks she adds to her
crying but desirable voice”.
FRANKENPOST, Hof, Michael Thumser
COSI FAN
TUTTf- Fiordiligi
“Astrid Marie Lazar impressed with her radiant soprano voice
as a strong Fiordiligi”.
FRÄNKISCHER TAG, Bamberg, Wolfgang Pfister
GRÄFIN
MARIZA (Countess
Mariza)- Mariza
“Astrid Lazar as Countess Mariza, sings and acts really
outstanding, impressing the audience with elegance and
charme”.
ROTTAL-INN WOCHENBLATT, Eggenfelden, P.W.
“The audience was enthusiastic about the vocal and acting
performances .This was rewarded with a lot of applause and many curtain
calls in the end. Astrid Lazar is seen and heard in the title
role… Both master their roles perfectly and are undoubtedly
the favourites of the performance”.
OBERBAYERISCHES VOLKSBLATT, Mühldorf, H. Weilhammer
DER
ZIGEUNERBARON (The Gypsy
Baron)- Saffi
“Or the ’gypsy song’, sung by Astrid
Marie Lazar as Saffi, the love of Sandor Barinkay (..): Her
appearances, including the duet with her foster mother, the old gypsy
Czipra (..), were musically the strongest scenes”.
SCHWÄBISCHE ZEITUNG, Ravensburg; Dorothee L. Schaefer
DIE
ZAUBERGEIGE (The Magic
Violin)- Ninabella
“…, but especially … and Astrid Marie
Lazar as erotic seductress Ninabella were suitably cast. …-
like most of his male colleagues - had to work hard to keep up with
them, especially vocally.”
DIE SÜDDEUTSCHE; Lokalteil München, Klaus Kalchschmid
SCHWANDA, DER
DUDELSACKPFEIFER (Schwanda
the Bagpipe Piper) -
Dorota
“Astrid Marie Lazar sang and acted the role of Dorota
charmingly”.
SELBER ANZEIGER; Selb
MIGNON -
Philine
“The vocal counterpart of the innocent Mignon was portrayed
by Astrid Marie Lazar in the role of the flirtatious Philine. Her aria
‘Je suis Titania’ burst with female provocation and
joy of life, and the soprano mastered difficult coloratura passages
with increasing sovereignty”.
FRANKENPOST HOF; Hof Kerstin Starke |
Accueil